
2023
2022
2021
2020
2019
- Networking and Scouting Residency for Curators
- "The Dead Web – La fin" at the Mapping Festival
- "The Dead Web – La fin" at Mirage Festival
2018
- Diversity and equal opportunity policy
- Molior 15 years | Online Publication on Daniel Langlois Foundation's website
- MIRAGE FESTIVAL
2017
- SIGNAL FESTIVAL 5th edition in Prague (Czech republic)
- Biela Noc 3rd edition in Bratislava (Slovakia)
- Biela Noc 8th edition in Košice (Slovakia)
2016
- Colloquium : Contemporary Digital Art: Conservation, Dissemination and Market Access
- Molior 15 years | Fund raising
- Rhythms of the Imagination, Technological Tools and Works
2014
2012
2011
- TransLife International Triennial of New Media Art 2011
- Fanfare (Ottawa)
- Captatio oculi
- Silly Circuits
2010
2009
- Contrainte/Restraint : New Media Art Practices from Brazil and Peru (Montréal)
- eARTS BEYOND : Shanghai International Gallery Exhibition of Media Art
- Fanfare (Montreal)
2008
2007
2006
2005
- FILE 2005
- VAE 9 – Festival Internacional de Video/Arte/Electrónico
- Rotoscopic Machines
- Totem sonique (Montreal)
- Silverfish Stream


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Saisissement, 2006
Clara Bonnes -
Saisissement, 2006
Clara Bonnes -
Saisissement, 2006
Clara Bonnes -
Magnitudes, 2006
François Quévillon -
Magnitudes, 2006
François Quévillon -
Magnitudes, 2006
François Quévillon -
Magnitudes, 2006
François Quévillon
Magnitudes et Saisissement
Curator
Critic
Groupe Molior presents two interactive installations from January 31 to March 5, 2006 at the Maison de la culture Frontenac.
The two projects, Magnitudes by François Quévillon and Saisissement by Clara Bonnes, are unusual in emphasizing touch within the artistic experience. Magnitudes is a multisensory installation that enables the visitor to transform matter, in both the real world and the virtual, while evoking natural phenomena characterized by instability. The project invites us to consider natural forces not as something to be conquered, but as something we can interact with playfully. Saisissement invites visitors to hold and manipulate objects outfitted with touch sensors to animate the images they present. The videos created in this interaction provide opportunities for journeys and meetings that bring into question the relationship between intimate and public spaces.