
2023
2022
2021
2020
2019
- Networking and Scouting Residency for Curators
- "The Dead Web – La fin" at the Mapping Festival
- "The Dead Web – La fin" at Mirage Festival
2018
- Diversity and equal opportunity policy
- Molior 15 years | Online Publication on Daniel Langlois Foundation's website
- MIRAGE FESTIVAL
2017
- SIGNAL FESTIVAL 5th edition in Prague (Czech republic)
- Biela Noc 3rd edition in Bratislava (Slovakia)
- Biela Noc 8th edition in Košice (Slovakia)
2016
- Colloquium : Contemporary Digital Art: Conservation, Dissemination and Market Access
- Molior 15 years | Fund raising
- Rhythms of the Imagination, Technological Tools and Works
2014
2012
2011
- TransLife International Triennial of New Media Art 2011
- Fanfare (Ottawa)
- Captatio oculi
- Silly Circuits
2010
2009
- Contrainte/Restraint : New Media Art Practices from Brazil and Peru (Montréal)
- eARTS BEYOND : Shanghai International Gallery Exhibition of Media Art
- Fanfare (Montreal)
2008
2007
2006
2005
- FILE 2005
- VAE 9 – Festival Internacional de Video/Arte/Electrónico
- Rotoscopic Machines
- Totem sonique (Montreal)
- Silverfish Stream


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JND (Just Noticeable Difference)
Chris Salter in collaboration with Marije Baalman and Harry Smoak -
JND (Just Noticeable Difference)
Chris Salter in collaboration with Marije Baalman and Harry Smoak -
JND (Just Noticeable Difference)
Chris Salter in collaboration with Marije Baalman and Harry Smoak -
Knight of Infinite resignation
Diane Landry -
Knight of Infinite resignation
Diane Landry -
Knight of Infinite resignation
Diane Landry -
Plant(ipod)
Jane Tingley -
Plant(ipod)
Jane Tingley -
Plant(ipod)
Jane Tingley -
Plant(ipod)
Jane Tingley
TransLife International Triennial of New Media Art 2011
Curator
Following the groundbreaking international new media art exhibition Synthetic Times, a 2008 Beijing Olympics Cultural Project, the National Art Museum of China presents TransLife, the next installment of the Media Art China series, now instituted as a triennial, slated to open on July 26, 2011, in Beijing.
Amidst the global challenges of climate and ecological crises that threaten the very existence of humanity, the exhibition TransLife reflects on the whereabouts of humankind in relationship to nature through an unique perspective and philosophical speculation, calling for citizen participation in facing these imminent challenges with artistic imagination to advocate a new world view of nature and a retooled humanist proposition.
The exhibition is structured by three thematically related components that gradually progress from the discovery of new sensorial potentials that extend our cognitive capacities to the emergence of multiple life forms to biodiversity and an exploration of the symbiosis of cohabitation, revealing emerging concepts of life and provoking contemplation on the biosphere. In doing so, the exhibition also strives to reassess the historical roots and epistemological foundation of the current ecological and environmental predicament, interrogating the notion of subjectivity inherent in the project of modernity and the anthropocentrism derived from that tradition.
The exhibition’s architectural design starting with the first floor of the museum and extending to the third and the uppermost floors resonates with exhibition’s thematic construct in which the progression from the sensorial experiences of the individual to the recognition of the multitude of life phenomena and, finally, to the attention to life-sustaining ecosystems echoes with the emotional and perceptual evolution from micro-worlds to a macro-universe, making the curatorial concept an organic and symbolic physical presence.
TransLife will bring to the Beijing audience an unparalleled roster of 53 artworks by over 80 artists and artist collectives from China, Korea, Japan, Singapore, the United States, Canada, Mexico, Brazil, Spain, Italy, France, Germany, Switzerland, Austria, The Netherlands, Latvia, Ireland, UK, Finland, Belgium, Norway, Serbia and Australia. 40 works will be included in the theme exhibitions and 13 works will be installed in the “Weather Tunnel” special project.
The exhibition will occupy three galleries on the museum’s first floor and the entire space of the museum’s 3rd and 5th floors, totalizing over 4000 square meters.
The cutting-edge Chinese architect MA Yansong will design a large installation for “Weather Tunnel” in collaboration with emerging artists from a selection of leading art schools in an open area of the museum.
The 300 page plus exhibition catalogue will consist of a collection of scholarly texts contributed by world-renowned authors (Bruno Latour, Arjen Mulder, Chris Salter, Peter Sloterdijk, Eugene Thacker, and a curatorial text by ZHANG Ga) to elaborate on the exhibition’s themes and their philosophical ramifications, along with color illustrations of works in the exhibition. The catalogue will be co-published by NAMOC, The Liverpool University Press and the Foundation for Art and Creative Technologies in UK and distributed globally.
Artistic Director / Curator, ZHANG Ga